In a brief chat during the Venice Film Festival, director Ryusuke Hamaguchi shared insights into his film “Evil Does Not Exist” and its intriguing title.
Understanding “Evil Does Not Exist”
Hamaguchi suggests that interpreting “Evil Does Not Exist” is akin to listening to music, as the film is rich with meanings and thoughts. It encourages viewers to focus on the characters’ interactions with nature and the unfolding story rather than seeking a clear conclusion.
Musical Influence and Jean-Luc Godard
The director acknowledges the influence of music in the film, mentioning that he and musician Aiko Ishibashi found common ground in Jean-Luc Godard’s work. They aimed to create a sonic experience in the film, much like Godard’s filmmaking, which feels like music itself. Hamaguchi emphasizes using music not merely for emotional climaxes but to enhance the film’s sharpness.
Camera Movements and Sense of Place
Hamaguchi reveals that he had fun experimenting with camera movements in the film. He aimed to break away from his previous style and make the camera’s presence more apparent. The camera not only captures the characters but also their reactions within their environments, contributing to the film’s sense of place.
Evolution in Filmmaking
While his previous films explored the nature of rehearsal and performance, “Evil Does Not Exist” delves into the formal qualities of filmmaking. Hamaguchi sees this as an important evolution in his filmmaking journey, shaping his approach for the next decade.
The Enigmatic Title
The film’s title, “Evil Does Not Exist,” emerged during field research for the script while contemplating nature’s landscape. Hamaguchi acknowledges that while the title may suggest a philosophical idea, it doesn’t necessarily reflect his personal beliefs. He likens it to a title for a piece of music, where the connection between title and content may not be straightforward.
“Evil Does Not Exist” invites viewers to explore its multi-layered narrative and embrace the enigmatic title as part of the film’s artistic expression.